Andrew Wong is an American baroque violinist and researcher in early music. He has performed with international ensembles such as the American Bach Soloists, Nederlandse Bachvereniging, Jupiter Ensemble, La Chapelle Harmonique, Orchestra of the Eighteenth Century, Arion Orchestre Baroque and Formosa Baroque. His performances have included concerts at the Utrecht Early Music Festival and the Taiwan Early Music Festival. His research interest is focused around the influence of vocal music on violin playing, and he most recently presented his work of French vocal practices applied to the violin at the 20th Biennial International Conference on Baroque Music.

Andrew Wong first discovered the wonders of historically informed performance through a period instrument recording of Haydn's String Quartets. He quickly embarked on an expedition to rediscover the violin, learning from violinists such as Marc Destrubé and David Wilson. He deepened his knowledge and immersed himself in a variety of playing styles, learning from Enrico Gatti, Antoinette Lohmann, Ryo Terakado and Kati Debretzeni while receiving a masters in historical violin at the Royal Conservatory of the Hague. Beyond music, Wong holds degrees in physics and engineering from MIT and Stanford. As  a data visualization specialist, he has developed tools for mapping and analyzing complex datasets. He is currently exploring ways to integrate information design into early music research, bridging the gap between historical inquiry and modern analytical methodologies.

Anne-Linde Visser is an active performer on the bass violin, baroque cello, piccolo cello and the viola da gamba. A dedicated chamber musician and basso continuo player, Anne-Linde’s continuo has been praised as ‘excellent’ (Early Music Reviews) and ‘impressive' (Opera Today). With her own group, The Strawberry Thieves Consort, she explores the English consort repertoire. She is also a member of 17th-century music ensemble Castello Consort. With the Castello Consort, she took part in the Eeemerging scheme and performed at a variety of international festivals. Over the last years, the ensemble collaborated with composer Martijn Padding. He composed a collection of pieces for the Castello Consort, including a fantasia for solo viola da gamba. In 2022 she won the second prize at the Early Music Young Ensemble Competition in London with ensemble La Rondinella.

Her chamber & orchestral performances have brought her to stages from the Concertgebouw Amsterdam to the Festival Oude Muziek Utrecht and much loved small venues in the middle of nowhere. She has performed with internationally-renowned ensembles such as Nederlandse Bachvereniging, Musica Amphion, Ensemble Cordevento, Prjct Amsterdam, Ensemble Odyssee, Kölner Akademie (DE), Musica Gloria (BE), and Theresia Youth Baroque Orchestra (IT). In 2020 she was selected for the Experience Scheme with the Orchestra of the Age of Enlightenment (UK).

Anne-Linde earned her master diploma (cum laude) in baroque cello from The Royal Conservatory The Hague, studying with Lucia Swarts. She continued studying viola da gamba at the Royal Academy of Music in London with Jonathan Manson, where she completed the Professional Diploma course with distinction in 2019. Anne-Linde’s study in London was supported by the Historical Enlightenment Scholarship and the Cultuurfondsbeurs.

Anne-Linde plays on two 18th-century instruments: an English baroque cello (made possible with the help of ‘Stichting Eigen Muziekinstrument’) and a Saxon piccolo-cello.

Anders Muskens (b. 1993) is a Canadian fortepianist, harpsichordist, and ensemble director specializing in historical keyboard performance and musicology. Based in North America and Europe, he is known for his dynamic interpretations of 18th- and early 19th-century music. He studied fortepiano at the Royal Conservatoire of The Hague under Bart van Oort and Petra Somlai and is currently completing a PhD in Musicology at Eberhard Karls University of Tübingen. His research explores rhetorical acting and early modern theatre practices in musical performance. Muskens is the founder and director of Das Neue Mannheimer Orchester, dedicated to reviving the music of the Mannheim Court Orchestra. The ensemble has performed at major festivals such as the Schwetzinger SWR Festspiele and recorded for Etcetera Records and Naxos. His solo and ensemble projects include Army of Generals and Beethoven’s Forgotten Piano Concerto (2024). He has performed at Het Concertgebouw, Utrecht Early Music Festival, MAfestival Brugge, and Salle Bourgie. His Beethoven interpretations were described as “not only vital and exciting, but new and revolutionary” (Early Music America), while his Walldorf recital “unleashed a true firework of sounds” (Stadt Walldorf Review). His discography includes Beethoven: Waldstein & Appassionata Sonatas (2023) and Louise Farrenc: Complete Works for Violin and Fortepiano (2023). He has won First Prize at the Early Music Young Ensemble Competition (London, 2018) and the Sir James Lougheed Award of Distinction (2024). Represented by Sonus Artist Agency, Muskens continues to shape the early music landscape with authenticity and artistry.